How Do You Define Religion Essay Example | Topics and Well Written Essays - 750 words

How Do You Define Religion - Essay Example Different people define religion differently as different belief systems are ubiquitously accepted, and there is no one way to determine who is right and who is not. Different versions of religion are accepted throughout the world. There are two different definitions of religion. One is the formal definition that is coined by the notable figures of a religion, while other is one’s individual definition. In this paper, my personal definition of religion will be presented. My personal thoughts on religion and idea of God will be explored in the paper. I believe there is God, but He is different from how different religions portray him. I am a catholic but I believe in evolution and other scientific facts and theories. My idea of God is quite different from established religions. Personal Definition of Religion Religion is formally defined as a set of belief that surrounds around a moral system and a deity. Emily Durkheim defined religion as a set of beliefs that distinguish practices that are forbidden from practices that are sacred (p. 62). A formal religion also has a host of rituals and involved worshipping of a single being.

Power Of the Mass Media During the 1960s Essay Example | Topics and Well Written Essays - 500 words

Power Of the Mass Media During the 1960s - Essay Example This movement took place from around 1955 until 1968. During this time racism had been a huge part of American history. Racism and the life of African Americans were changing. The Civil Rights Movement helped move along this change and help to create a better life for African Americans. The media was a very powerful player in voicing the rights of African Americans which contributed to the Civil Rights Movement. Churches, African American owned businesses and television shows teamed together to show as many as possible about the movement. Many would voice over the media and attempt to end racism and encourage the end of slavery. The mass media dramatically played a role in changing the perception of the public and how they felt toward African Americans. Just like the Civil Rights Movement, Vietnam is a large part of American history and has been historically discussed in the mass media. Vietnam happened roughly from 1955 to 1975. During this time many Americans were needed to join the Army and fight in Vietnam. Some were pro to joining while others were against war. This part of history and how the media portrayed Vietnam is perfect for describing how the media changes the public’s perception and influences decisions. During the Vietnam War many were influenced to join. The media portrayed the war in so many different ways. The media made many young men believe everything would be taken care of if they were to enlist. The media dramatically influenced the public’s decisions to join. Not all mass media influence was to join the war. Many other forms of media encouraged young men to skip the war and fight for freedom and peace. This was a big way for media to encourage peace and many avoided the draft and were influenced by anti-war media. When pictures began to come up showing the negative effects of war the media thrived on the photos and they helped the media to change the perception of war through the use of

Compare and contrast Peattie and Ching's position vis-a-vis the Essay

Compare and contrast Peattie and Ching's position vis-a-vis the idea of Japanese colonialism as an "anomaly." - Essay Example Ching focus on the anomaly from the point of view of the struggle Japanese colonies endured in changing their identity to become Japanese, hence the book title â€Å"becoming Japanese.† The book reveals the much tension and challenges involved in the formation and shift of colonial identities (Ching 19). For instance, Japanese colony, Taiwan, expresses multiple forms of national and cultural identifications; Chinese nationalist, Japanese culture, as well as, its own heterogeneous political and cultural practices. Becoming Japanese is a bridge of history and literature that brings out the anomaly in Japanese colonialism. On the other hand, Peattie focus on Japanese colonialism anomaly in their book, The Japanese Colonial Empire, as the source and evolution of the modern empire. In this book, Japanese colonies such as Korea, Karafuto, and Taiwan are termed as an empire that is governed collectively (Peattie 51). It goes further to illustrate the policies and systems that governed it, as well as, the economic dynamics that encouraged it. According to Peattie, Japanese colonialism in context of modern empire that runs from 1895 to 1945 is by itself an anomaly in colonialism (23). In conclusion, it is clear that Japanese way of colonizing is different and exceedingly unique in comparison to western colonialism. Either from ching’s way of thinking or Peattie’s, Japanese colonialism is a global phenomenon, hence colonialism

Business#2 Essay Example | Topics and Well Written Essays - 500 words

Business#2 - Essay Example But this is not the case. For instance, while bribery is illegal in Indonesia, its public officials are susceptible to the act because the government pays them low wages. In a case study, Richard R. Gesteland, Georg F. Seyk (2002) documented: A foreign company headquartered in Singapore had to send technicians to Indonesian factories on a regular basis. About half of the company’s techs had to slip a fifty dollar bill to the Jakarta airport immigration official on duty in order to get an entry visa stamped in their passports. (p. 79) Sometimes cultural factors also come into play wherein norms in some countries dictate gift-giving or entertainment as important in transacting business. This is partly the reason why the degree as to which bribery is perceived as immoral is different from country to country. People who engage in bribery points to this fact, arguing that there is a blurry line between bribery and simple gift-giving: In the US, for instance, there are several kinds of payments that fall on the borderline of legality and illegality. In light of all these, bribery is customarily considered an unethical activity and, rightfully, the act is outlawed in all countries. (Donaldson & Dundee 1999, p. 225) No society can have the custom of bribery, because by its nature it is a covert practice that involves unfairness, harm to some and unearned benefit to others. Wojciech Gasparski and Leo Ryan (1996) stressed that bribery can never be justified as ethically proper because it is a means by which people get special treatment in preference to others for no other reason that that they pay bribes. (p. 332) Bribery corrupts both the giver and the receiver. Furthermore, it undercuts efficiency in the market, skews the allocation of goods and resources, often imposes unjust costs on third parties, and leads to further corruption, since such payments are not legal and cannot be reported using generally accepted accounting procedures. Today, the issue of

Chronicle of a Summer Essay Example for Free

Chronicle of a Summer Essay Ethnofiction is a term that is used to provide a new contemporary sound to an older terminology (neologism) particularly dealing with docufiction (a term coined from the combination of the words documentary and fiction film). In visual anthropology, ethnofiction refers to ethnography or the genre of writings which gives an elucidating study or point of view regarding human societies. Predominantly, the results of the holistic research method are presented by ethnography and can be used in ethnofiction. In addition to this, ethnofiction also consists of both formal and historical connections. A lot of cultural anthropologists and ethnologists are using ethnofiction in their works and consider it as the essence of discipline. Jean Rouch, the most renowned ethnologists, specifically considered as the â€Å"father of ethnofiction† was able to understand and discover that in making events which are registered by the camera. Consequently, the camera in this scenario or scene becomes a participant. Due to practice, research and documentaries are lavished with the idea of using cameras. This is in accordance to Rouch’s aim of furthering his goals, objectives and introduction of the actor as a tool in the film or in Rouch’s research. According to Brian Quist, through Jean Rouch â€Å"a new genre (of filmmaking) was born†. Jean Rouch is an innovative French director who definitely fathered the movement called cinema-verite. Jean Rouch’s style of filmmaking is a spontaneous one that blurred between or consists of educational, ethnographic and fiction film. Rouch filmed in many West African countries where he was able to train and support actors, cameramen, technicians and directors. One of his apprentices was Safi Faye. The African filmmakers that Jean Rouch promoted did not in the end become avant-garde cinema-verite directors, largely because they could not afford to take ten or twenty hours of rushes to produce a 45-minute feature, but he may have had an effect in other ways. When he set out to produce history he adopted a version of ethnographic realism. In 1975 he filmed a story situated in the late 19th century, â€Å"Babatou† , â€Å"les trios conseils†, with a crew of technicians from Niger and on the basis of a script written by the historian Boubou Hama. Following his work habits, he developed only minimally the dialogue, which the actors fleshed out by improvisation on location. The team travelled around to find a suitable location. The problem was to find places that had not changed in a hundred years, without corrugated metal roofs or plastic containers. Without further safeguards this solution is illusory, because the sun-baked clay houses of the savannah rarely survive one hundred years and what appears old now may be an environment radically transformed during the colonial period. Jean Rouch’s search still reveals more concern for historical authenticity, compared to the shortcuts that Kabore takes, but is inspired by the same supposition that in Africa the actual looks like the historical once you remove from it what is ostensibly European origin (Bickford-Smith and Mendelsohn 20). Jean Rouch’s aesthetic is guided by the effort to produce ethnographic estrangement. Rouch celebrated film â€Å"Les Maitres fous† (1955), filmed in Ghana among migrant workers from Niger who undergo a possession ritual, is very much a display of radical difference, even if recorded with humor and respect. As such, it goes very much against the grain of how most West African intellectuals would like to see their cultural heritage presented to outsiders, the main reason, I think, why many of them do not like Rouch’s films. West African films look different and show the culture in a different way. There are statelier in rhythm and style and less adventurous in form. They also present their characters as likeable and not wild. â€Å"Cinema-verite† is translated as â€Å"Film truth† in French. Cinema-verite is as style of filmmaking that uses the camera as a protagonist, as a catalyst for action (Kahn 185). In addition to this, it is derived from Dziga Vertov’s â€Å"Kino-pravda† a documentary film series in the Soviet Union of the 1920s, wherein it was important that the film audience realized it was watching a film, not reality. The term was coined by Jean Rouch together with the help of Edgar Morin while making â€Å"Chronique d’un ete† (1961) with newly developed, portable cameras and Nagra sound recorders. In this film interview, subjects of Rouch and Morin get to watch and comment on footage of themselves. The term â€Å"cinema-verite† also implies that the filmmakers try to avoid manipulating documentary truth, but it has often been confused with â€Å"Direct Cinema† which is a movement which emphasized â€Å"objectivity† over â€Å"reflexivity of cinema-verite†. The term â€Å"verite† is used in Hollywood to denote a style of shooting to achieve the effects of veracity and immediacy or the jerky, hand-held camera and grainy out-of-focus texture (Barnard et al. 377). In the early 1960s, technical advances made it possible for small crews to produce synchronous-sound location films. The equipment encouraged some filmmakers to record actions and events as detached observers, naively assuming that they were not significantly influencing the actions being followed. The so-called American direct cinema of Richard Leacock, Robert Drew, the Maysles brothers (Albert and David), and the others helped to define this kind of documentary. Eventually, it led to what is known today as observational-style film, which became so attractive for some ethnographic filmmakers (Ruby 12). Jean Rouch on the other hand, having founded the cinema-verite, obviously adopts the opposite approach unlike the previously mentioned ethnographers of filmmakers. Jean Rouch aim in cinema-verite is to have the subjects reveal their culture. The use of the camera as a character in the films he made was due to the fact that he felt that the presence of the camera could provoke a cine trance for his subjects. In â€Å"Chronicle of a Summer† (1961), the filmmakers combined the ideas they have borrowed from Flaherty with those of Soviet film theorist and practitioner Dziga Vertov. Rouch brought the cameras and his filmmaking style into Paris streets for impromptu encounters in which the filmmaking process was often a part of the film, with filmmakers and equipment in frame. Consequently, the actions of Jean Rouch and his works lead to an immediate notice or significant influence to the films of French New Wave directors such as Jean-Luc Godard and Chris marker, whose film â€Å"Le Foli Mai† is a direct response to â€Å"Chronicle of a Summer†. Rouch’s influence in the United States was not immediate unlike that of the France because so few of his films were accessible (Ruby 12). Rouch has persistently continued with his style and to develop his collaborative approach over a forty-year period in a number of films made with West Africans. Some criticized certain early efforts, Such as â€Å"Les Maitres Fous† (1955), as ethnocentric because of an assumed overemphasis on the bizarre, but others celebrated it as definitive surrealist film (Ruby 5). However, his intentions was to produce a â€Å"shared anthropology† in which those in front of the camera shared the power with the director. This idea reached an apex with his so-called ethnographic science fiction films, such as â€Å"Petit a Petit† (1968), â€Å"Cocorico†, â€Å"Monsieur Poulet† (1983) and â€Å"Madame l’Eau† (1992). Rouch is not alone in France in his adventurous experiments in collaboration. In 1964, George Rouqier produced a film about a year in life on a farm as lived by his relatives. In his film, the subjects were asked to enact their lives which is kind of ethnodocudrama. Although it was screened at the 1947 Venice Film Festival as a French form of neorealism, it has been virtually ignored by the United States anthropologists. Jean Rouch is also not alone when it comes to his interests in pushing the limits of documentary realism. For example, the United States anthropologist Robert Ascher experimented with drawing directly on film to produce a â€Å"cameraless† interpretation of a myth which is considered to be a technique found in experimental art films. As with Rouch, his efforts have been ignored. Stoller contends that Jean Rouch is a premature postmodernist. However, it should be considered that Rouch’s work in multivocality and reflexivity has been ignored by the so-called crisis of representation and writing culture folks. Their lack of understanding of Rouch’s many contributions to the postmodern debates that have obsessed anthropology in recent years perhaps the best example of how marginalized ethnographic film is to the mainstream of cultural anthropology. Other anthropologists who disagree with Rouch’s filmmaking style and contributions simply do not see his work as contributing to their interests (Ruby 13). From his works and style in enthnofiction, as observed in his â€Å"Chronicle of a Summer†, a certain concept of ethnofiction can be identified. However, before reaching that fruitful conclusion or concept, Jean Rouch had to perform several tests or experiments in filmmaking, particularly exploring the subject matter or aspects of ethnofiction. Based from his works and experiments, five characteristics can be deduced. First, is the â€Å"thorough ethnographical research† (Quist 9) which can be observed in his films such as â€Å"Les maitres fous† and Batille Sur Le Grand Fleuve†. Second, ethnofiction consists of â€Å"truthful circumstances and accurate documentation† (Quiest 9). Third, ethnofiction â€Å"utilizes the cinema’s need for story as well as dramatic curve† (Quiest 9) which can be observed in Jean Rouch films such as â€Å"The Lion Hunters†. Fourth is the characteristic, on Rouch’s term, â€Å"cine-trance† which have been previously mentioned or discussed. Commonly, â€Å"cine-trance† is referred to as â€Å"improvisation†. The fifth characteristic of ethnofiction, and probably the most important part of the films and considerations of Jean Rouch is â€Å"participant reaction† which can be observed in â€Å"Chronicle of a Summer† (Quist 9). After the establishment of the five characteristics of ethnofiction, there was a need for Jean Rouch to develop a single film that would encompass all these five characteristics of ethnofiction. Jean Rouch pursued an ethnofiction film that would incorporate all these characteristics. The film noted in Quist analysis is â€Å"Jaguar† which was completed and released in 1967. This film became the classic example for ethnofiction film because it encompassed or included all the five characteristics of ethnofiction perfectly. This comprehensive ethnofiction film instantly gained fame and became renowned not only in Africa but also to film festivals worldwide (Quist 10). Jean Rouch’s perseverance however does not stop at the success of â€Å"Jaguar†. He continued honing his skills until the five characteristics of ethnofiction became very familiar with him and his films. He continuously endeavoured in order to improve the cinema-verite which he and Morison founded. He also continued making films to influence other filmmakers and to introduce different or varieties of culture from the point of view of its subjects. Jean Rouch’s perseverance, efforts and success are really remarkable that he definitely lives to the expectations of those who look up to him. His influences and his contributions to the filmmaking industry really justifies Jean Rouch as â€Å"father of ethnofiction†. Works Cited Barnard, Tim, Timothy Barnard, and Peter Rist. South American Cinema: A Critical Filmography, 1915-1994. USA: First University of Texas Press Printing, 1996. Bickford-Smith, Vivian, and Richard Mendelsohn. Black and White in Colour: African History on Screen. UK: James Currey Ltd, 2007. Kahn, Hillary E. Seeing and Being Seen: The Qeqchi Maya of Livingston, Guatemala, and Beyond. USA: The University of Texas Press, 2006. Quist, Brian. Jean Rouch and the Genesis of Ethnofiction. Long Island University. Ruby, Jay. Picturing Culture: Explorations of Film and Anthropology. USA: The University of Chicago, 2000.

Martin Luther King, Jr. Essay Example for Free

Martin Luther King, Jr. Essay Martin Luther King was a major driving force during the 1950-1960s African American civil rights movement. Following his influence in fighting for the respect of equal human rights, Luther has become one of the most recognized human rights icons in the American nation. According to available historical information, born in 1929, Luther started his civil rights activist activities during his early ages. He led the 1955 Montgomery Bus Boycott due to segregation practices, which compromised the principle of equality of all American citizens (Darby, 1990). True from history, Luther brought much influence in the war against racial segregation and discrimination. Just to be appreciated is the fact that despite the provisions that all men are equal during the declaration of independence in the 18th century, racial discrimination was a common practice in the early twentieth century. Historical information indicate that the â€Å"I Have a Dream† speech by Martin Luther King in the 963 March on Washington triggered the African Americans into fight for their human rights (Darby, 1990). Conducting his affairs uniquely, Luther is praised advocating a non-violent approach to the realization of equal human rights in the American nation (Darby, 1990). Indeed, this was the underlying reason behind why he was given the Nobel Peace Prize for his work in ending racial segregation and l discrimination through non-violent means in 1964. In addition to his impact on the American community, Luther finds his honor in advocating against the violation of human rights during the Vietnam War in 1968. Following his influence in the civil rights war, Luther is globally appreciated as a crucial fighter for freedom (Darby, 1990). To emphasis on this claim, he was awarded the Presidential Medal of Freedom in 1977 nine years after his assassination. Such are also found in the establishment of Martin Luther King, Jr. Day as a U. S. national holiday in 1986. References Darby, J. (1990). Martin Luther King. Jr. Minneapolis: Lerner Publishing Group.

Economic impact of tourism in the Mauritian economy

Economic impact of tourism in the Mauritian economy 4.1 Introduction Tourism is a major pillar of the Mauritian economy. According to estimates for 2010, the tourism industry has contributed Rs 39,456 million to the Mauritian economy and has provided direct employment to 27,161 workers. The contribution of tourism to GDP at basic price stands at 7.4% in 2010. This fact is indicative of the importance of the tourism sector to the Mauritian economy. To evaluate the impact of tourism on economic growth in Mauritius, a log-linear model will be estimated. However, economic growth may not be influenced only by tourism, but there are also other macro economic factors which may have an effect on growth. As such, these factors will be taken into consideration in the model. The model consists of standard variables such as Investment (INV), Exports (EXP) and Inflation (CPI), as well as one variable (TRP) which will be used to quantify the impact of tourism, such as tourism receipts. Real GDP per capita is used as a reference variable in order to demonstrate the impact of tourism on economic growth. 4.2 Types of Data 4.2.1Primary Data Primary data is collected on source and is not been subjected to processing or any other manipulation. The most common methods to collect primary data consist of surveys, interviews and focus groups. As such, primary research entails the use of immediate data and is collected by the researcher particularly to meet up the research objective of the subsisting project. Making use of primary data implies that researchers are collecting information for the specific purposes of their study. As such, the questions the researchers ask are tailored to extract the data that will help them with their study. However, it is time consuming and costly to collect such data. 4.2.2 Secondary Data Secondary data consists of pre-existing information which is not gathered for the purpose of the current research. Secondary data is readily available and inexpensive to obtain. In addition, such data can be examined over a longer period of time. Secondary data includes information from the census, a companys financial position and safety records such as their injury rates, or other government statistical information such as the number of workers in different sectors. In secondary data, information relates to a past period and as such, it lacks aptness and has unsatisfactory value. The drawback is that often the reliability, accuracy and integrity of the data is uncertain. However, it is easier to collect such data and longitudinal study may be possible. 4.3 Model Specification A simple log-linear Cobb-Douglass production function is used to measure the impact of tourism on economic growth in Mauritius. The equation is as follows: GDP = f (INV, TRP, CPI, EXP) Consider the following model, known as an exponential regression model: GDPt = ÃŽ ²0 INVt ÃŽ ²1 TRPt ÃŽ ²2 CPIt ÃŽ ²3 EXPt ÃŽ ²4 e ÃŽ µt (4.2.1) which may be expressed alternatively as lnGDPt = lnÃŽ ²0 + ÃŽ ²1lnINVt + ÃŽ ²2lnTRPt + ÃŽ ²3lnCPIt + ÃŽ ²4lnEXPt + ÃŽ µt (4.2.2) where ln is the natural log (i.e log to the base e, and where e = 2.7183) Equation 4.2.2 can be written as: lnGDPt = C + ÃŽ ²1lnINVt + ÃŽ ²2lnTRPt + ÃŽ ²3lnCPIt + ÃŽ ²4lnEXPt + ÃŽ µt (4.2.3) where C = lnÃŽ ²0 Therefore, the transformed model is: ln GDPt = C + ÃŽ ²1 ln INVt + ÃŽ ²2 ln TRPt + ÃŽ ²3 ln CPIt + ÃŽ ²4 ln EXPt + ÃŽ µt Where ln GDP: Log of real gross domestic product per capita ln INV : Log of investment ln TRP : Log of tourism receipts per capita ln CPI : Log of consumer price index used as a proxy for inflation ln EXP : Log of exports C : Constant term ÃŽ µt : White noise disturbance term In the above log-linear model, the dependent variable, GDP, is expressed as a linear function of four other independent variables, also known as the explanatory variables, namely INV, TRP, CPI and EXP. It is often assumed for such log-linear model that the causal relationships which may exist, flow only in one direction, namely from the explanatory variables to the dependent variable. The parameters of the model can be estimated by using the Ordinary Least Square method, if the assumptions of the classical linear regression model are fulfilled. As such, GDPt* = C + ÃŽ ²1 INVt* + ÃŽ ²2 TRPt* + ÃŽ ²3 CPIt* + ÃŽ ²4 EXPt* + ÃŽ µt where GDPt* = ln GDPt, INVt* = ln INVt, TRPt* = ln TRPt, CPIt* = ln CPIt, EXPt* = ln EXPt The coefficient of each of the four explanatory variables measures the partial elasticity of the dependent variable GDP with respect to that variable. As such, each of the partial regression coefficient ÃŽ ²1, ÃŽ ²2, ÃŽ ²3 and ÃŽ ²4 are the partial elasticities of GDP with respect to variables INV, TRP, CPI and EXP respectively. 4.4 Explanation of Variables 4.4.1Gross Domestic Product (GDP) Gross Domestic Product is used to assess the market value of all final goods and services produced during a given period of time within an economy. It also measures the total income of an economy and as such, it is often correlated with standard of living. GDP is used as a reference variable in order to assess the impact of tourism on economic growth in Mauritius. GDP is an important factor used to analyse the development of the tourism sector. As such, in case the tourism sector brings huge foreign earnings, there will be an increase in GDP, suggesting that the economy is flourishing. The GDP figures that are used for the regression have been adjusted for inflation using the GDP deflator. 4.4.2 Investment (INV) Investment, which is a major component of the gross domestic product of an economy, refers to the acquisition of new capital goods. A positive change in investment may lead to a positive change in income and output of an economy in the short run. Higher level of investment may contribute to aggregate demand while higher level of income may indirectly impact on consumer demand. Investment, which is an injection in the circular flow of income, is a useful tool to analyse the impact of tourism on the economy of Mauritius. Investment is expected to have the same impact on economic growth as propounded by empirical literature, such as Sargent and James (1997) who found a positive impact of physical capital and investment on growth in Canada over the period from 1947 to 1995. 4.4.3 Tourism Receipts (TRP) Tourism receipt is a major indicator of the contribution of the tourism sector to the local economy. Tourism receipt represents an inflow of foreign currency in the economy. Such receipts account for a major contribution to the gross domestic product of the Mauritian economy. As such, an increase in tourism earning is expected to have a positive impact on GDP. Most governments in developing countries encourage international tourism because such tourists bring capital to the country. Earnings of currencies permit governments to finance, at least in part, their development efforts. Tourism receipt is expected to impact positively on economic growth as postulated by Balaguer and Cantavella-Jorda (2002) or Dritsakis (2004) who claimed that economic growth and tourism are interrelated and established tourism as a driver of economic growth. 4.4.4 Inflation (CPI) Inflation is defined in economics as a rise in the general level of prices of goods and services in an economy over a period of time. As such, it is a sustained increase in the price level and it may be the consequence either of constant falls in aggregate supply or recurring increases in aggregate demand. As a result, inflation erodes the purchasing power of money, that is, there is a loss of real value in the internal medium of exchange and unit of account in the economy. An important measure of price inflation is the inflation rate, which can be calculated by taking the annualised percentage change in a general price index over time. This is referred to as the Consumer Price Index (CPI). In Mauritius, the Consumer Price Index is measured by computing the average change over time in the cost of a fixed basket of consumer goods and services. It represents changes over time in the general level of prices of goods and services acquired by Mauritian consumers. Inflation is then calculated by comparing the average level of prices during a 12-month period with the average level during the preceding 12-month period. One of the most fundamental objectives of macroeconomic policies of many countries, whether industrialised or developing, is to sustain high economic growth together with low inflation. Inflation can bring about uncertainty about the future profitability of investment projects particularly when high inflation is also linked with increased price variability. This would in turn generate more conservative investment strategies, which would ultimately result in lower levels of investment and economic growth. Inflation is expected to have a negative effect on growth as claimed by Barro (1995) who explored the inflation-economic growth relationship using a large sample covering more than 100 countries from 1960 to 1990. 4.4.5 Exports (EXP) Export entails the sale of goods and services produced in one country to other countries. There are two types of exporting: direct and indirect. For national accounts statistics, exports consist of transactions in goods and services from residents to non-residents. As such, an export of a good represents a change of ownership from a resident to a non-resident; this does not necessarily imply that the good in question physically crosses the frontier; while an export of services consists of all services rendered by residents to non-residents. The relationship between export growth, foreign direct investment and economic growth in both developed and developing countries is a question that continues to be of considerable interest. Cross-country trade and capital flows and interpreting the significance of these activities towards economic growth lie at the heart of the debate on economic development policy since the early literature on export and economic growth. Export is expected to impact positively on growth as postulated by Feder (1982), who mentioned that exports contribute to economic growth in a variety of ways: economies of scale and incentives for technological improvement. Thus, marginal factor productivities are expected to be higher in export industries than in non-export industries. 4.5 Data Sources For the purpose of this study, time series data has been used. A time series is an ordered chain of values of a variable at equally spaced time intervals. Time series analysis is used for economic and sales forecasting, budgetary analysis, inventory studies or stock market analysis. It encompasses techniques to investigate data in order to extract meaningful statistics and other characteristics of the data. A time series model indicates that observations close together in time will be more closely correlated than observations further apart. As such, time series models use the natural one-way ordering of time so that values for a given period can be expressed as deriving in some way from past values. Data has been collected for the period 1976 to 2009. Figures for the explanatory variables namely investment and exports and that for the dependent variable real gross domestic product were obtained from the Central Statistical Office. Data for inflation and tourism receipts was obtained from annual reports of the Bank of Mauritius. 4.6 Software The analysis of data will be done using the Microfit 4.0 software. Before carrying out the regression, the stationarity of the variable should be tested in order to avoid spurious results and invalidity of the model. The ARDL model will be evaluated. Furthermore, a co-integration test shall be performed to determine if an Error Correction Model (ECM) must be used.